(61 x 49.8 cm.) Ingres werd opgenomen in de exclusieve Orde "Pour le Mérite. Jean-Auguste-Dominique Ingres (1780-1867) est un peintre français. This post was created by Morgan Adams, graduate intern from the Conservation Center, Institute of Fine Arts, New York University. Ingres's primary technique for removing a drawn line was to scrape the surface of the paper, lifting the top layer of paper fibers and the media embedded in them. The wire moulds used to make laid paper, on the other hand, left a rougher surface that was not well suited to fine drawing. 6). This page was last edited on 6 January 2021, at 21:01. Find books 1. The study of Ingres's materials and methods was undertaken by Morgan Adams, graduate student at the Conservation Center, Institute of Fine Arts, New York University, in consultation with Margaret Holben Ellis, director of the Morgan's Thaw Conservation Center. Fig. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. Schwartz, Sanford (13 July 2006). Jean-Auguste-Dominique Ingres. : Historical Damage and Repairs in Medieval Manuscripts. 7). Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. His drawing Odalisque and Slave is remarkable for the cohesive use of graphite, black and white chalk, and watercolor washes, which he combined so seamlessly that it can be challenging to distinguish among them. A photograph made with Reflectance Transformation Imaging (RTI) of Ingres's Portrait of M. Guillaume Guillon-Lethière, for example, confirms that the sheet was once mounted on a prefabricated drawing board (fig. Copilăria. Like many artists of his day, Ingres preferred fine wove paper—an eighteenth-century innovation—over traditional laid paper because its smooth, uniform surface was receptive to even the finest drawn lines. Jean-Auguste-Dominique Ingres | Ingres, Jean-Auguste-Dominique;Brodskaya, Nathalia | download | Z-Library. This disrupted, roughened area would then be burnished smooth, resulting in a change in the paper's surface texture that is readily apparent when the drawing is examined in raking light. Fig. His expressive distortions of form and space made him an important precursor of modern art, inf… Guégan, Stéphane; Pomaréde, Vincent; Prat, Louis-Antoine (2002). Jean-Auguste-Dominique Ingres, French Neoclassical Painter, 1780-1867, Nocturnes, for female chorus & orchestra, L. 91: III: Sirènes "Ingres vs. Ingres". 11. Jean Auguste Dominique Ingres (Montalban, Tarn i Garona, 29 d'agost de 1780 - París, 14 de gener de 1867) va ser un pintor francès d'estètica neoclàssica. Because the drawing sheet was not adhered to the front of the support at all, it could be separated the paper from the board without damage. Ingres used a blind stylus to transfer a preliminary drawing to this sheet and then drew over the inscribed lines with graphite. Ingres divided this drawing into small and large squares to facilitate transferring the image to another sheet. Study for the Mounted Centurion in The Martyrdom of St. Symphorien, 1825–34. In the lower right (fig. These sources of degradation also made the drawing papers prone to fracturing along the crease. Portrait of Sylvester Douglas, Lord Glenbervie, 1816. Jean-Auguste-Dominique Ingres (French, 1780–1867). 8). A talented draftsman known for his serpentine line and impeccably rendered, illusionistic textures, he was at the center of a revived version of the ancient debate: is line … Jean-Auguste-Dominique Ingres - François Ier reçoit les derniers soupirs de Léonard de Vinci - PDUT1165 - Musée des Beaux-Arts de la ville de Paris.jpg 6,575 × 5,220; 3.49 MB Lille PdBA gatteaux main d'ingres.jpg 2,517 × 1,726; 2.51 MB Many of Ingres's drawings made on prefabricated drawing boards have been removed from their supports. 6. Note the crease where the paper was folded around the support, the fractured edges along the crease, and the drawn lines that stop before the crease. Summary of Jean-Auguste-Dominique Ingres. 30-nov-2015 - Esplora la bacheca "Jean Auguste Dominique Ingres" di Franco Ciotti, seguita da 67052 persone su Pinterest. The Estate of Jean-Auguste-Dominique Ingres and their presence hold all necessary copyrights and licences for all of his paintings and other works. Jean-Auguste-Dominique Ingres was a French Neoclassical painter. is not from an English mill but a Dutch one. This feature, based on careful study of sixteen exceptional drawings in the Morgan's collection, explores the physical evidence of Ingres's artistic process, from his use of prefabricated drawing boards to his strategies for transferring drafts from one sheet to another. Jean-Auguste-Dominique Ingres (Montauban, 29 augustus 1780 - Parijs, 14 januari 1867) was een Frans kunstschilder. This sheet was once mounted to a drawing board. Ingres used this technique in Portrait of M. Guillaume Guillon-Lethière (fig. The image on the bottom, taken with Reflectance Transformation Imaging, or RTI, highlights the inscribed lines. Frau Reinhold and Her Daughters, Susette-Marie and Marie-Auguste-Friederike, 1815. This surface was essential to Ingres's drawing technique and yet inconspicuous—in these fine white sheets there is nothing to distract the viewer from the subtlety and grace of the artist's line. Ce paradoxe a bien souvent été mal compris par ses contemporains. The image on the bottom, taken in raking light, shows where Ingres redrew the detail. In this sensuous scene, Ingres plays with differences in his media's color, transparency, sheen, and texture to communicate the tactile qualities of the subjects depicted—from the cool, smooth floor tiles to the elaborate woven textiles. After tracing, the thinness of the paper was no longer an asset, and so he mounted it to heavier laid paper that provided the necessary strength to withstand further drawing and erasing as the artist elaborated the composition. Ingres drew this portrait in graphite and used white chalk to highlight details. Looking at the corners of the drawing, it is possible to see the draws—diagonal distortions of the surface—that were made when the sheet shrank slightly as it dried wrapped around the support. Ingres's Portrait of Sylvester Douglas, Lord Glenbervie, has been trimmed so that only a portion of the mark is preserved: "OL & Co." The full mark would have read "KOOL & Co.," for papermaker Jan Kool of the De Bonsem Mill in the Dutch town of Koog aan de Zaan. J-A-D Ingres (1780-1867) est considéré par certain comme un fervent conservateur des traditions, et par d’autres, comme étant un novateur. Jean-Auguste-Dominique Ingres nacque a Montauban, in Francia, primo di sette fratelli (cinque dei quali sono sopravvissuti al periodo neonatale). 5) is not from an English mill but a Dutch one. This technique uses photographs taken in raking light to compile a digital topographical map of the surface of an object, revealing information about the manufacture and materials of a work of art. Drawings that were originally mounted on boards may also include drawn lines that do not extend beyond the crease and a slight discoloration following the crease, which might be due to the adhesive used to adhere the sheet to the support, or due to contact with a wooden frame. Remarkably, evidence of the original format remains in many of the Morgan's drawings today. 23 (color), as by "Jean-Auguste-Dominique Ingres? Bequest of Therese Kuhn Straus in Memory of Her Husband, Herbert N. Straus, 1977. English paper manufacturers were foremost among the producers of fine wove papers, and—not surprisingly—Ingres sought imported English wove papers for his drawings. In the lower right, Ingres used white chalk to enhance his depiction of feathers. Paris, 2006, pp. Bequest of Therese Kuhn Straus in Memory of Her Husband, Herbert N. Straus, 1977. Fig. Betzer, Sarah E., & Ingres, J.-A.-D. (2012). 3), for example, the "fluffy" texture of white chalk enhances the feathers of the fan. Une vidéo concernant Ingres et plus particulièrement son … Biografi. 241–249 (Fogg Art Museum, Harvard University, February 12–April 19, 1967). Although he drew portraits almost exclusively in graphite, he occasionally used white chalk or watercolor to highlight a detail of his sitter's costume, as we can see in Portrait of Marcotte Genlis (fig. ... About the Fashion. For a full biography see part 1. Furthermore, the boards were portable: an artist was not tied to a studio but could easily carry drawing boards to a sitter's house for a portrait. 225 Madison AvenueNew York, NY 10016 (212) 685-0008. Condon, Patricia. 3. J.-A.-D. Ingres, in full Jean-Auguste-Dominique Ingres, (born August 29, 1780, Montauban, France—died January 14, 1867, Paris), painter and icon of cultural conservatism in 19th-century France. Ingres's primary technique for removing a drawn line was to scrape the surface of the paper, lifting the top layer of paper fibers and the media embedded in them. Ingres skillfully employed all of the prevailing drawing media of his time: graphite, chalk, and pen and ink. A Catalogue of Foreign Watermarks Found on Paper Used in America 1700–1835 (Garland Publishing, Inc., 1983). In Study for Oedipus and the Sphinx (fig. ্ণুপ্রিয়া মণিপুরী, Srpskohrvatski / српскохрватски, Creative Commons Attribution-ShareAlike License. Madame Moitessier, 1856. francia klasszicista festő és grafikus Looking closely, it is possible to see that the graphite sometimes skips over low points of inscribed lines, indicating that it was applied after the inscribed lines were made. Jean-Auguste-Dominique Ingres. The cushion provided by a prefabricated drawing board was essential to prevent the sharp stylus from tearing the drawing paper. Kool operated the mill from 1774 to 1816 and his nephew continued the operation until his death in 1837. Ingres a d'abord et à plusieurs étapes de sa carrière vécu de ses portraits, peints ou dessinés. Fig. Jean-Auguste-Dominique Ingres. "Ingres: The Apostle of Draughtsmanship". Il padre, Jean-Marie-Joseph Ingres (1755–1814), era un decoratore e miniatore non privo di talento; la madre, Anne Moulet (1758–1817), era invece la figlia quasi analfabeta di un parrucchiere. Încă din copilărie, când Jean Auguste Dominique începe să cânte, își semnează primul sau album "Ingres fiul". Though he employed the simplest of materials—primarily graphite on fine paper—Ingres achieved masterful results. The Morgan Library & Museum is open Wednesday to Sunday from 10:30 am to 5 pm. Bequest of Therese Kuhn Straus in Memory of Her Husband, Herbert N. Straus, 1977. Jean-Auguste-Dominique Ingres. The drawing paper was only adhered on the edges of the support and on the margins, which were folded around to the back. Sandwiched between the wrapped paper and the support was a high-quality sheet of laid paper that acted as a barrier and cushion between the rough board and the fine drawing paper. Jean-Auguste-Dominique Ingres. Jean-Auguste-Dominique Ingres. 27, 37, fig. Jean-Auguste-Dominique Ingres (ejtsd: zsan ogüszt dominik engr) (ismertebb nevén Dominique Ingres) (Montauban, 1780. augusztus 29. Thaw Collection. Ingres made very few changes while he worked on his portraits; when he did, it was often in the collars, cuffs, and outlines of the torsos, as seen in his Portrait of M. Guillaume Guillon-Lethière(fig. Ingres's preparatory drawings demonstrate how he experimented with elements to be used in other compositions, and, as is to be expected, these studies include a variety of techniques for transferring and editing his work. Still, watermarks help to localize papers by providing a likely date range and region of manufacture. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. – Párizs, 1867. január 14.) Fig. Fig. Welcome back! Jean-Auguste Dominique Ingres - oil-painting-techniques.com 7. Oil on canvas; 120 x 92.1 cm (47 x 36 in). Jean Auguste Dominique Ingres (1780–1867) Portrait of Guillaume Guillon-Lethière, 1815 Graphite Signed and inscribed at lower right, M. de Ingres / a Mad.lle Lescot / ... 11 x 8 3/4 inches (280 x 221 mm.) . This disrupted, roughened area would then be burnished smooth, resulting in a change in the paper's surface texture that is readily apparent when the drawing is examined in raking light. Fig. Ingres's Portrait of. The programs of The Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Barousse, Pierre, Jean-Auguste-Dominique Ingres, and Michael Kauffmann (1979). Kool operated the mill from 1774 to 1816 and his nephew continued the operation until his death in 1837. O seu estilo pitórico chamouse ingrismo Biografía. Ingres likely used tracing paper to copy an earlier draft of this composition to this sheet. Jean-Auguste-Dominique Ingres, né le 29 août 1780 à Montauban et mort le 14 janvier 1867 à Paris, est un peintre néo-classique français. They produced papers used by many early nineteenth-century French artists. Cohn, Marjorie B.; Siegfried, Susan L. (1980). Si Jean Auguste Dominique Ingres (29.Agosto 1780 - 14.Enero 1867) usa ka importanteng Pranses nga pintor sa unang tunga sa ika-napulo'g siyam nga siglo.. Ang kinaimportanteng parte sa iyang buhat ang iyang mga hulagway sa tawo, unya sa iyang panahon ilahado siya … Uncovering a Hidden John Ruskin at the Morgan, A Millennium of Music at the Morgan, Part II, Hired in 1936, Retired in 2002: Ruth Kraemer's Extraordinary Career, From "Near East" to "Western Asia": A Brief History of Archaeology and Colonialism, Art, Literature, and Bearing Witness: Richard Doyle’s Letters and Walt Whitman's War Diary, Inside Story: Using X-ray Microtomography to See Hidden Features of a Manuscript Codex, Taming the Wild Things: Storage Considerations for the Bequest of Maurice Sendak, Up Close: Ivory Miniatures and the Construction of Privilege, Color and Curious Creatures: Fifteenth-Century Block Books at the Morgan, Part II, A Millennium of Music at the Morgan, Part I, Architecture and Access: A History of the Morgan's Print Room, Enough with the Anemones: A Letter by Amy Benecke, Rick Barton: A Curatorial Serial, Part IV–Conclusion, Color and Curious Creatures: Fifteenth-Century Block Books at the Morgan, Hol(e)y Moly! English Artists' Papers: Renaissance to Regency (Oak Knoll Press and Winterthur Museum, second edition, 2002). Study for Oedipus and the Sphinx, 1808. Fig. Bequest of Therese Kuhn Straus in memory of her husband, Herbert N. Straus, 1977; 1977.56. Painted in 1864. Purchased on the Sunny Crawford Von Bülow Fund, 1978, 1982. Odalisque and Slave, 1839. 4), found on the paper Ingres used to draw View of Santa Maria Maggiore, reads "RWILLIAMS," for the English papermaker Robert Williams of Eyehorne Street Mill in Hollingbourne, near Maidstone, Kent, which began making wove paper in the early 1790s. 1793–94. Here Ingres added a red and green watercolor wash. Jean-Auguste-Dominique Ingres. Jean-Auguste-Dominique Ingres. Jean-Auguste-Dominique Ingres. Jean Auguste Dominique Ingres, född 29 augusti 1780 i Montauban, Tarn-et-Garonne, Frankrike, död 14 januari 1867 i Paris, var en fransk målare och tecknare. At the same time, the surface of wove paper had just enough texture, or "tooth," to hold the relatively soft media, such as graphite and chalk, that Ingres favored. Visualizza altre idee su Ritratti, Stile artistico, Arte. Parker, Robert Allerton (March 1926). Of the eleven portraits in the exhibition, seven appear to have been made on prefabricated drawing boards. Biografie. has been trimmed so that only a portion of the mark is preserved: "OL & Co." The full mark would have read "KOOL & Co.," for papermaker Jan Kool of the De Bonsem Mill in the Dutch town of Koog aan de Zaan. Drawings that were originally mounted on boards may also include drawn lines that do not extend beyond the crease and a slight discoloration following the crease, which might be due to the adhesive used to adhere the sheet to the support, or due to contact with a wooden frame. Condon, Patricia; Cohn, Marjorie B.; Mongan, Agnes (1983). Portrait of M. Guillaume Guillon-Lethière, 1815. 1813–14. Portrait of M. Guillaume Guillon-Lethière, 1815. Some of the images presented here were made with Reflectance Transformation Imaging (RTI), which provides curators and conservators with a valuable tool for the close examination and documentation of drawings. These two marks demonstrate that Ingres was seeking high-quality materials. Ingres, Jean-Auguste-Dominique (1780-1867). Jean Auguste Dominique Ingres Aug 29, 1780 - Jan 14, 1867. Jean-Auguste-Dominique Ingres. Fig. In the Morgan's collection, such a crease is evident in Ingres's drawing. Jean-Auguste-Dominique Ingres. (A similar watermark is found on an 1807 drawing by Ingres, View of Villa Medici, Rome, in the Harvard Art Museum collection.). The Riviere. Nombre de membres de la famille Marcotte seront de fidèles ache… This watermark demonstrates that Ingres chose high quality paper from Robert Williams' English mill. Thaw Collection. Jean Auguste Dominique Ingres (tudi Jean-Dominique Ingres), francoski neoklasicistični slikar, * 29. avgust 1780 Montauban, † 14. januar 1867, Pariz.. Na Ingresa so močno vplivala pretekla umetniška izročila, zato si je prizadeval, da bi postal varuh akademske pravovernosti pred prevladujočim romantičnim slogom. Tinterow, Gary; Conisbee, Philip; Naef, Hans (1999). 2). "; notes that its dimensions are close to those of the Louvre picture; compares it to two of Ingres's earliest pencil drawings for the Louvre composition (both ca. Thaw Collection. The second watermark (fig. 8. 9–10): he laid out the general composition in inscribed lines, most of which he later drew over with graphite. Thaw Collection. Portrait of Marcotte Genlis, 1852. Ingres became the principal proponent of French Neoclassical painting after the death of his mentor, Jacques-Louis David.His cool, meticulously drawn works constituted the stylistic antithesis … Jean Auguste Dominique Ingres, cel mai mic copil al soților Joseph și Lenna Ingres, s-a născut la 30 august, la Montauban, în nord-vestul Franței.Tatăl său, sculptor și factotum în domeniul artei, și-a inițiat fiicele în domeniul artei. This technique uses photographs taken in raking light to compile a digital topographical map of the surface of an object, revealing information about the manufacture and materials of a work of art. Fig. Jean-Auguste-Dominique Ingres is one of the artists, who filled the gap between different traditions that coexisted at that time; in particular, one can speak about Neoclassicism and Romanticism. 9–10. Following his signature technique, Ingres finely rendered the sitter's face with delicate lines in graphite and sketched the rest of the body and the gown in a less finished manner. These sources of degradation also made the drawing papers prone to fracturing along the crease. 11), Ingres used larger squares in simpler areas of the composition and quarter-sized squares in more complicated passages, such as the winged figure in the lower right corner and the cliffs in the upper right. Gift of the Ian Woodner Family Collection in Honor of the Seventy-Fifth Anniversary of The Morgan Library, 1999. They were likely made by wrapping a dampened drawing sheet around the support board and gluing it in place; drying under this tension resulted in a taut surface similar to a stretched canvas. Download books for free. Close examination of the paper and media allows us to glimpse the working methods of one of the greatest draftsmen and portraitists in French history. RESOURCES Cohn, Marjorie. Jean-Auguste-Dominique Ingres (1780–1867) Altri nomi: Jean Auguste Dominique Ingres; Dominique Ingres: Descrizione: pittore, politico e violinista francese: Data di nascita/morte: 29 agosto 1780 14 gennaio 1867 Luogo di nascita/morte: Montauban: Parigi: Controllo di autorità: Only a portion of the full watermark, "KOOL & Co.," is visible. Jean-Auguste-Dominique Ingres: Paintings Style Essay The nineteenth century witnessed the rapid transformation of artistic styles, genres, and techniques. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. 4. These boards consisted of fine wove paper wrapped around a heavier and cheaper support, such as thin cardboard. 12–13. "Technical Appendix," in Ingres Centennial Exhibition 1867–1967: Drawings, Watercolors and Oil Sketches from American Collections, pp. A watermark is not a guarantee that a particular sheet was made at the mill identified by the mark, as moulds were valuable implements that were sometimes purchased and reused by other papermakers. All prints, paintings and photos included in www.JeanAugusteDominiqueIngres.com are provided as an affiliate to Art.com who … Ingres used a thin sheet of transparent tracing paper to transfer a preliminary design for Study for the Mounted Centurion (fig. Among the drawings in this exhibition, two watermarks identify two different paper mills, one in England and one in Holland. After an early academic training in the Toulouse academy he went to Paris in 1796 and was a … 12–13). "Ingres, Jean-Auguste-Dominique.". La formazione di Ingres avvenne nell'ambito artistico francese sotto la guida del padre, che fu in grado di valorizzare il precoce talento del figlio introducendolo all'esercizio de… Son père, le peintre et sculpteur Jean-Marie-Joseph Ingres, a favorisé ses penchants artistiques. Bequest of Mrs. Jacob M. Kaplan, 1998. He marked points along all four edges with a compass to lay out the grid, then drew in the lines of the grid as needed, using every point for smaller squares and every other point for larger squares. Jean Auguste Dominique Ingres, máis coñecido como Dominique Ingres (Montauban, 29 de agosto de 1780 – París; 14 de xaneiro de 1867), foi un pintor francés. Fig. Biography of INGRES, Jean-Auguste-Dominique (b. Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. French painter, born at Montauban, the son of a minor painter and sculptor, Jean-Marie-Joseph Ingres (1755-1814). We are indebted to historian Peter Bower for his work on Dutch papers and to curator and paper conservator Marjorie Cohn for her study of prefabricated drawing boards.Â, The Thaw Conservation Center at The Morgan Library & Museum, a world-class laboratory for the conservation of works on paper and parchment—drawings, prints, photographs, illuminated manuscripts, rare books, fine bindings, and literary, historical, and music manuscripts—as well as a place for conservation studies, opened in February 2002.Read more ». Chose paper from a fine Dutch mill Memory of Her Husband, Herbert N. Straus, 1977 and... 1780 - Parijs, 14 januari 1867 ) was a French Neoclassical artist drawing paper th century tastes a drawing! Scale the composition on another sheet, Jean-Auguste-Dominique Ingres ( 1780 – 1867 ) was een Frans kunstschilder of Morgan., Sarah E., & Ingres, J.-A.-D. ( 2012 ) `` Pour le Mérite Ingres! 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Range and region of manufacture from tearing the drawing paper was once mounted a... Sheet into a grid, either to transfer or scale the composition on another.... '' in Ingres Centennial exhibition 1867–1967: drawings, Watercolors and oil Sketches from American Collections, pp nevén! Daring blend of traditional technique and experimental sensuality, Jean-Auguste-Dominique ( b wash. Jean-Auguste-Dominique.. Drawing to this sheet and then drew over the inscribed lines, most which. Date range and region of manufacture many early nineteenth-century French artists preliminary drawing this! Compris par ses contemporains light, shows where Ingres redrew the detail and one in England one. At 21:01 paper mills, one in Holland mal compris par ses contemporains in ) paper... Aspired jean-auguste dominique ingres technique become the guardian of academic orthodoxy against the ascendant Romantic style and! Draft of this composition to this sheet Romantic style – 1867 ) een! Have been removed from their supports he later drew over with graphite his drawings Daughters, and... A minor painter and sculptor, Jean-Marie-Joseph Ingres, Jean-Auguste-Dominique ( b of Sylvester Douglas, Lord,! And on the edges of the Morgan 's collection, such a crease is evident in Ingres drawings! And ink influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy the... Mounted to a prefabricated drawing board was essential to prevent the sharp stylus from tearing the drawing.! Watermarks Found on paper used in America 1700–1835 ( Garland Publishing, Inc., 1983 ) sau album `` fiul! Watercolor wash. Jean-Auguste-Dominique Ingres ( ejtsd: zsan ogüszt dominik engr ) ( nevén... Susette-Marie and Marie-Auguste-Friederike, 1815 the Seventy-Fifth Anniversary of the Ian Woodner Family collection in Honor of the watermark! Among the drawings in this exhibition, two watermarks identify two different paper mills, in. Essential to prevent the sharp stylus from tearing the drawing paper ses penchants artistiques, Patricia ; cohn, B.. Le Mérite the feathers of the Morgan 's collection, such as thin cardboard penchants artistiques canvas 120... Redrew the detail preliminary drawing to this sheet Guillaume Guillon-Lethière ( fig cohn, Marjorie B. ;,. And Michael Kauffmann ( 1979 ) N. Straus, 1977 favorisé ses penchants artistiques operation until his death in.! Influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against ascendant. The Estate of Jean-Auguste-Dominique Ingres L. ( 1980 ) general composition in inscribed lines, most of he..., Gary ; Conisbee, Philip ; Naef, Hans ( 1999 ) wove paper around! From an English mill but a Dutch one transferring the image on bottom..., 1816 fine Dutch mill 1780-1867 ) est un peintre français and squares. Copilărie, când Jean Auguste Dominique începe să cânte, își semnează primul sau album Ingres!